| | |  | Entertainment | Home » » Auguste Rodin: Erotic Sketches (Erotic Sketchbook) (German Edition) | | | | | | | Description: | | Auguste Rodin: Erotic Sketchbook Norbert Wolf Designed to imitate an artistÂ’s sketchbook, this exquisite collection of Auguste RodinÂ’s nude drawings is a sensuous celebration of his work. One of the worldÂ’s most revered sculptors, Rodin spent much of his late career sketching nudes in his studio. At the time these intimate studies were considered obscene and their first public exhibition resulted in scandal. Today RodinÂ’s erotic work is appreciated for its great expressive power, confidence of line, and delicate colors. This collection of more than thirty color drawings offers readers the unique experience of peering over the artistÂ’s shoulder as he works. The stunning reproductions, embossed cover and ribbon tie make this a perfect gift for lovers of art and lovers everywhere. Norbert Wolf is an art historian and the author of Gustav Klimt: Erotic Sketchbook, Egon Schiele: Erotic Sketchbook, and The World of Saints (all by Prestel). | | | Product Details: | | | Author:
| Auguste Rodin | | Hardcover:
| 63 pages | | Publisher:
| Prestel USA | | Publication Date:
| March 30, 2006 | | Language:
| German | | ISBN:
| 379133395X | | Package Length:
| 9.13 inches | | Package Width:
| 7.56 inches | | Package Height:
| 0.47 inches | | Package Weight:
| 0.84 pounds | | Average Customer Rating:
| based on 1 reviews |
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A Treasure Book from Rodin's Last Years of WorkSep 10, 2006
By Grady Harp Though very small in format and in brevity of content (a mere 64 pages with 38 illustrations), this little book serves art lovers and art historians well. Contained in this slight volume, and interspersed with cogent commentary by Norbert Wolf in both English and German, are Auguste Rodin's final sketches in pencil, watercolor and gouache of the female nude. Quite in contrast to his monumental sculptures these sketches reveal a different aspect of Rodin's genius - he introduces nude and nearly nude drawings of women in tandem, works that at the time of creation were scandalously dismissed as pornography.
In today's harsher light these fine sketches provide a glance at not only Rodin's psyche but also at his amazingly fluid style of committing drawing to paper, a style in significant contrast to his strictly anatomically correct sculptural figures. The book is a delight to read and to peruse and allows us entry into the climate of the late 19th and early 20th century art realm. Grady Harp, September 06
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